The picture is in the letters
The G and the T carry the picture in their counters, joins or reflections. There is no separate icon, no badge and no container around the letters.
New marks for General Translation, built on one principle: the picture lives in the letters. The G and the T carry a picture about translation in their counters, joins or reflections, and there is no separate icon. Every mark is one color, so it takes the ink of whatever it sits on, and every mark has to read at 16px as well as at 256px, on paper and on ink. Nine marks in three families follow, best first, each shown positive and reversed, at five sizes, as an app icon and a favicon, and with its construction. The current mark closes the page as the reference, not as a candidate.
Every mark on this page passes the same six tests. A mark that fails one is dropped, whatever its idea. The tests come from the brief and from the sizes a mark actually lives at: a browser tab, a phone home screen, a slide.
The G and the T carry the picture in their counters, joins or reflections. There is no separate icon, no badge and no container around the letters.
The mark is a single filled path in currentColor, so it takes the ink of wherever it sits. No accent color, no gradient, no shadow, no second tone.
A 256 unit square in 16 unit modules with a 32 unit stroke. Every corner, tangent and cut lands on the grid or on a stated angle, and the construction overlay shows where.
At favicon size the letters carry the mark: G and T stay legible, the mouth of the G stays open and no counter closes. The picture may appear only from 32 or 48px, but the letters never depend on it.
At app icon size the picture reads without a caption, and no join, tangent or kink breaks the geometry.
The same path positive (ink on paper) and reversed (paper on ink), with no redraw for either ground. The theme switch swaps the grounds on this page.
The Latin GT is at the same time a glyph of another script.
The picture sits in the counter or the aperture of the G.
One stroke serves both letters: a shared bar, a mirrored join.
The Latin GT is at the same time a glyph of another script.
The Latin GT is at the same time a glyph of another script.
The picture sits in the counter or the aperture of the G.
The picture sits in the counter or the aperture of the G.
One stroke serves both letters: a shared bar, a mirrored join.
One stroke serves both letters: a shared bar, a mirrored join.
The Latin GT is at the same time a glyph of another script.
The picture sits in the counter or the aperture of the G.
One stroke serves both letters: a shared bar, a mirrored join.
The nine marks together at one size, positive and reversed, so the families can be compared as a set. The current doubled-line mark follows as the reference the explorations were measured against.
The current mark, the doubled-line GT monogram. It is the reference the explorations were measured against, and it is not a candidate.